

Pitti Palace, Florence, Italy
RS
You never know what you'll find in a sacristy.



A real da Vinci code is indeed hidden within Leonardo's "The Last Supper," according to a book to be published in Italy next week.
But rather than conspiracy theories, the new code points to a hidden musical score, a sacred text and a three-dimensional chalice.
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The Apostles, represented in groups of three, gave him a hint that the piece should be played in 3/4-time, like much 15th-century music. But it was their hands, always in relation to the breads on the table, that provided the real score — to be read from right to left, in line with Leonardo’s writing.
"I marked the pieces of bread on the table and the Apostle’s hands as music notes. Then I drew a pentagram over the scene between the tablecloth and Jesus’ face. I couldn’t believe my ears when I played the music. It sounded really solemn, almost like a requiem," Pala said.
But there was much more. Pala noticed that the notes, in their position, produced strange symbols — similar to ancient cuneiform script — when united to each other by lines.
Examined by Father Luigi Orlando, a biblical scholar at the Antonianum Pontifical University in Rome, the cuneiform writing turned out to be a sentence written in ancient Hebrew: "bo nezer usbi," which means "with Him consecration and glory."
So I’m off to the convent, folks! After receiving my Bachelor of Arts in Art History from the University of Dallas, my Masters of Fine Art in oil painting from the New York Academy of Art, I set out for Florence to do post-graduate work at the Florence Academy of Art. It was in Florence that I became familiar with the Religious of the Sacred Heart.
This semi-cloistered order, rooted in St. Madeleine Sophie Barat’s Society of the Sacred Heart, houses a community of 15 nuns, the only community in the only house of this new reform order. As every Roman Catholic religious, these nuns take the vows of poverty, chastity, and obedience. Their special fourth vow is one of education of the youth.